Year 12 IB Extended Essays 2017
lack of identity and context excites her, revealing her insecure and delicate mental state. The
speaker detests the flowers, complaining that “they hurt [her]” in stanza 6 and “eat [her]
oxygen” on line 49, essentially killing her, as if they are the source of her depression, which is
killing her. The poem reveals the essence of her relationship with Ted Hughes and the rejection
and repulsiveness she experiences.
Plath’s second poem, Lady Lazarus 2 (1962), is a complicated, brutal, and bitter dramatic
monologue that leads the reader to imagine the speaker to be Sylvia Plath. The poem uses the
autobiographical information and context of Plath’s life, but in an extreme and exaggerated
way portrayed through the narrator. The poem is a cry of anger and frustration, revealing
Plath’s unhealthy obsession with suicide, creatively providing the readers, with two opposing
perspectives of Plath’s life. On the one hand, the poem directly highlights Plath’s fragile mental
state, causing her to take extreme measures to end it. However, the poem also shows Plath’s
obsession with pattern, and how everything that happened in her life, happened for a reason in
a destined way. The poem is structured into 3 line stanzas, with a total of 28 stanzas. The tercets
are blunt, and short with chopped lines, creating an energetic and enticing ‘read’ which captures
the whole essence of Plath’s inner psyche that everything is moving at an uncontrollable rapid
pace. The repetition of the three line stanza is a subtle note to Plath’s pattern in suicide attempts
with two near-death experiences, one being a suicide attempt and one being an accident , and
the three repetitions allude to a near third attempt, which went on to be successful. Lady
Lazarus 2 was written four months prior to her ‘successful’ attempt.
The title prepares the reader for the theme of death, referring to Lazarus from the Bible, whom
Jesus raised from the dead (Trever, 2017). The speaker has altered the character taken from the
Bible to Lady Lazarus 2 , as if for it to mirror Plath herself, a metaphor for her coming back to
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