2020 IB Extended Essays

In Collier’s version, the B section maintains the monophonic texture by adding a digitally changed higher vocal part followed by a branching into 6-part vocal harmony which provides a thicker texture. The additional of vocals are homophonic, which musically communicates the message that although people are different, we still share similar features. The melodic contour remains remarkably similar. The Carpenters’ rhythm of swung quavers remains metrically consistent with the earlier section of the piece whilst Collier’s version as shown in Figure (10) features diverse syncopation further blurring the rhythmical feel of the piece.

Figure 10 – Jacob Collier’s Transcript (Lee, 2018)

The original features a trumpet solo (for the A section) is significant as it is very emotional and expressive because of its change in pitch and timbre. It is a short melodic solo with no improvisation. The contrast between the soft female voice to a strong brass sound may be a musical representation of the image of this male to the female; flashy, strong and popular. This section modulates a semitone higher to A flat major. It is direct modulation, often referred to as a ‘gear shift’ modulation. This change in pitch is significant as it further builds tension, being released by the return to the A section. Backing vocals are used throughout to add warmth and reinforce various aspects of the text. In Collier’s version, the solo (an artificially created trumpet sound) with synthesisers playing a counter melody to the main solo. The effect of using a synthesiser provides a more modern feel compared to the original close to you. The offbeat rhythm from the

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