2019 Year 12 IB Extended Essays

Bibliography Artaud, A., 1988. In Total Darkness, or The Surrealist Bluff. In: S. Sontag, ed. Selected Writings. Los Angeles: University of California Press, pp. 139-148. Artaud, A., 2010. The Theatre and Its Double. 1st ed. London: Oneworld Classics. Artaud, A. et al., 1972. Antonin Artaud in "Les Cenci". The Drama Review, 16(2), pp. 90- 145. Auslander, P., 1980. Surrealism in the Theatre: The plays of Roger Vitrac. Theatre Journal, 32(3), pp. 357-369. Breton, A., 1962. Manifestoes of Surrealism. 1st Edition ed. Paris: Jean-Jacque Pauvert. Breunig, L. C., 1964. The Laughter of Apollinaire. Yale French Studies, Issue 31, pp. 66-73. Cohn, R., 1964. Surrealism in Today's French Theatre. Yale French Studies, (34), pp. 159- 165. Esslin, M., 1976. Antonin Artaud – The man and His Works. 1st ed. London: Calder. Esslin, M., 1991. The Theatre of The Absurd. 3rd Edition ed. London: Penguin. Frey, J. G., 1936. From Dada to Surrealism. Parnassus, 8(7), pp. 12-5. Ionesco, E., 1960. The Avant-Garde Theatre. The Tulane Drama Review, 5(2), pp. 44-53. Kimberly, J., 2005. The Theatre before its Double: Artaud Directs in the Alfred Jarry Theatre. Theatre Survey; Washington, 46(2), pp. 247-273. Knapp, B. & Blinn, R., 1963. An Interview with Roger Blin. The Tulane Drama Review, 7(3), pp. 111-125. Melzer, A. H., 1973. The Dada Actor and Performance Theory. Artforum International, 12(4), pp. 51-57. Rapti, V., 2013. Ludics in Surrealist Theatre and Beyond. 1st Edition ed. London: Routledge. Vitrac, R., 1966. The Mysteries of Love. In: M. Benedikt & G. E. Wellwarth, eds. Modern French Theatre. New York: E.P Dutton & Co., Inc.,, pp. 227-269. Wellwarth, G., 1962. Alfred Jarry: The Seed of the Avant-Garde Drama. Criticism, 4(2), pp. 108-119.

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